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8430 Sunset Blvd.
West Hollywood, CA 90069
(323) 848–5100
Restaurant Hours of Operation
Dinner served daily beginning at 5:00 p.m.
For reservations and more info, please call Restaurant Host Stand at (323) 848–5197
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House of Blues offers full in-house production capabilities, post-production facilities and a distribution platform. We also have the ability to capture any live event in different media formats and deliver a finished product, either live or on recorded media, to your specification.
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General Information
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General production information for House of Blues Los Angeles
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- House of Blues is an 1100 person capacity, 3 story venue. The Music Hall on the 1st Floor; the Porch restaurant on the 2nd floor has Rail Tables and standing room Bars that overlook the Music Hall; the 3rd floor has 3 dressing rooms, the Foundation Rooms, and administration offices.
- There is a 3 song, no flash photography policy.
- All video taping requests must be advanced with Ashton Spatz, at least 3 days in advance. A release or contract must be signed for any video taping and must be cleared in advance through our Publicity Department.
- All photographers and members of the press must obtain clearance from our Publicity Department.
- All guest-lists are due by 4pm the day of the show.
- House of Blues requires that current Stage and Lighting Plots, Input Lists, Backline and Hospitality Riders be provided directly to the Production Office.
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Production Specifications
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Production specifications for House of Blues Los Angeles
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Load In & Parking
- Load-in: Cars, vans and bob-tail trucks load-in at valet driveway, off Olive St. Semi's and buses w/trailers load-in to be advanced with Production show by show.
- Load-in door: 5'8"W x 6'8"H 90' door to stage
- Restrictions: Full size semis and buses cannot make it into the Valet Driveway. Please call to arrange. We do not have parking on site.
Dressing Rooms / Backstage
- We have 3 dressing rooms on the 3rd floor. They are accessible by elevator, which is located on the south end of the building, or by stairs located on the north end of the building. Please note that artist access to the stage is by stairs only. If you have an artist that cannot ascend, or descend 2 flights of stairs they must take the elevator, and be escorted through the GA area of the Music Hall. If this is applicable to your artist, please note during advancing of the show, and extra security will be provided to ensure they receive the proper escort to the stage necessary for their safety and well-being.
- The Green Room (20'x10') holds 12-20 people and has a changing/make-up area, restroom w/shower.
- Dressing Room #9 (10'x15') holds 8-12 people and has a private restroom.
- Dressing Room #21 (9'x13') hold 6-10 people
- We do not have a visiting Production Office. Most Touring parties choose to use either #9, or #21 as a Production Office if needed.
- We do not have Laundry Facilities on site.
Stage Details
- Description: Low-gloss finish, hard wood deck, screw jacks adjust the height to improve sight lines. Wings remain stationary.
- Back stage: 8' x 8' Stage Right room
- Case Storage: Stage Right Room, Under Stage
- Risers – (2) 8'x 8'x 12", (1) 8'x 8'x 24"
- Deck to Truss: 18 1/2'
- Dimensions: 30'W x 20'D low gloss wood finish
- Stage Left Wing: 15'D x 4'W
- Stage Right Wing: 15'D x 4'W
- Height: 3'6" to 5'6" adjustable, wings remain stationary
- Proscenium Opening: 30'W x 20'H
Electrical
- Guest Audio: 100amp 3 phase Cam Lock located on Stage Right
- Guest Lighting: 200amp 3 phase Cam Lock located Dimmer Room
- House Audio: 100amp 3 phase hard wired
- House Lighting: 400amp 3 phase hard wired located in Dimmer Room
- House Stage Backline Power: (6) 20amp L5-20 Quads
Softgoods
- Main Curtain: 30'W x 25'H bi-parting, manual draw located Down Stage Right. Sweeps across the downstage edge.
- Curtain 1: 30'W x 20'H black duve bi-parting curtain, Upstage wall
House Backline Equipment
- Backline availability per advance with Production Manager
- Amplifiers:
- (1) Bass – Ampeg SVT Classic w/ 8x10 Cabinet
- (1) Bass - SWR Silverado Special 350 w/combo 2x 12" horn
- (1) Guitar - Fender Twin Reverb ('65 reissue Blackface model)
- (1) Guitar - Fender Vibro Verb ('63 reissue)
- (1) Guitar - Roland JC120 w/ (2) 12" speakers
- (1) Guitar - Marshall JCM2000, 100 watts w/ model 1960 4x12" slant
- (1) Guitar - Line 6 HD147, 300 watts, w/ 4x12" slant cabinet
- (2) Line 6 Flexstone III
- (1) Ampeg R-12R ("Reverb Rocket")
- (1) Ampeg SR-212RT ("Super Rocket")
- DJ Rig:
- (4) Technics 1200 turntables
- (2) CDJ 1000 MK3
- (1) Pioneer DJM800
- (1) Rane 62
- * Please bring your own needles and mats
- Drums:
- Drum Workshop - White Pearl finish
- Kicks - 20" x 18", 22" x 18"
- Toms - 8", 10", 12", 13", 14", 16", 18"
- Snare - 14" x 5.5" maple
- * snare drums are for back-up, please bring your own
- Cymbals - please bring your own.
- Hardware - hi hat, (7) cymbal stands, (2) tom stands, (1) DW belt kick pedal, single and double chain drive pedal, throne
- Keyboards: (1)Digital Piano: Kurzweil PC-88.
- Percussion:
- (2) LP Timbales – Tito Puente Model
- (1) Set of LP Bongos, Galaxy Giovanni Series
- (3) LP Congas w/ Stands (Quinto, Conga, Tumbadora)
Front of House
- FOH Console: Soundcraft Vi4
- Main Drive: (2) EV DN 9848
- FOH Processing:
- (1) Yamaha SPX 99
- (1) TC Electronics D Two multi tap delays
- FOH Gates/Comps: (4) dbx 160 XT - 4 channel comps
- Playback: Tascam CD 200i
- Main Speakers: (12) EV XLC 127+ Line Array
- Main Subs: (6) EV X Line X Sub
- Main Amps: (7) EV P3000
- Sub Amps: (3) EV P3000
- Balcony Speakers: (2) EV QRX 112 / 75
- Balcony Drive: EV DX 38
- Balcony Amps: (1) EV CPS 2
- Upstairs Delay Speakers: (4) EV Xi / 1082
- Upstairs Delay Amp: (1) EV PX 1202
- Downstairs Delay Speakers: (4) EV Xi / 1082
- Downstairs Delay Amp: (1) EV P1200
Monitors
- Console: Soundcraft Vi4
- (8) EV XW12 Monitors
- (1) EV XW12 Monitors (cue)
- (2) EV XW15 Monitors
- Drum Fill:
- (1) EV XW15
- (1) EV X Array Sub
- Sidefills:
- (2) EV Xi 1183 / 64
- (2) EV Xi 1191 Subs
- Monitor Drive:
- (1) Klark Teknik 9848
- (7) EV DX38
- Monitor Amps:
- (4) EV P3000
- (14) EV P1200
- Intercom:
- 2 channel, 6 station Clear Com
- Position - Stage Left wing
Lighting
- Dance Floor Conventionals:
- (8) 300w Par 56
- (2) Source 4, 575 watt Leko Specials, 19 degree barrels
- Dance Floor Technology:
- (3) Track spots
- (3) High End Studio Spot 250's
- Dimmers:
- (72) Analog EC Dimmers
- (4) Open 1.5k dimmers on Stage
- FOH Fixtures:
- (12) Source 4, 575 watt Leko Specials
- (12) Par 64 - 1k NSP
- Follow Spots: (2) Lycian 400 HTI
- Lighting Console: Avolites Pearl 2008 w/graphic tablet
- Stage Truss Conventionals:
- (4) 6 Bars Par 64 - 1k on stage
- (2) 6 Bars Par 64 - per side truss
- (6) 4 Bars 250 watt ACL's
- (10) Source 4, 575 watt Leko Specials
- (4) Source 4 par cans, medium – audience blinders
- Stage Technology:
- (7) Mac 700's
- (6) High End Technobeams
- Floor lighting (upon request)
- (2) Source 4 par cans, medium
- (2) Par 64 – 1k
- (2) 4 Bars, 250 watt ACL's
- (1) DF-50 Hazer
- (1) F-100 Fogger (upon request)
- Stage Truss: (1) Box truss 26' x 14' w/ 4 ladder beams across the 14' span
- Stage Motors: (4) 1/2 ton CM chain hoists
Mics & Inputs
- Sennheiser "e" Series: (2) 901, (3) 902, (8) 904, (4) 905, (4) 906, (2) 908, (4) 914 DIS, (3) 614, (4) 421, (7) 935, (3) 945, (4) 865
- RF: (2) eW500 G2 Series (935 Capsules), (4) eW500 G3 Series (935 Capsules)
- IEM: (1) eW300 G2
- Shure: (2) Beta 52, (2) Beta57, (1) Beta 57A, (2) Beta 58, (2) Beta 58A, (1) Beta 91, (8) Beta 98 DIS, (5) SM 57, (5) SM 58, (4) SM 81, (1) SM 81 LC, (2) MX 412-s podium, (2) Shure SM7B, (2) Shure Beta 87c, (1) Shure PG52, (2) Shure PG81, (3) Shure PG56, (3) Shure KSM 32
- AKG: (1) D112, (1) C418
- Audix: (2) SCX-w/pads, (2) SCX One, (2) D2
- CAD: (2) CAD E100
- DI Boxes: (3) Countryman, (2) Radial Active, (1) Radial Passive, (1) AR 133, (4) Mono Director, (3) Stereo Director
- Mic Lines:
- (4) 12 pr Stage Boxes
- 48 Channel / 3 way split from stage left
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