
Start your night in HOB Restaurant & Bar with happy hour and dinner before the show – and keep it going in Foundation Room! After the curtain falls, the party continues. Stop in before you head out!
Room: Bronze Peacock
Door Time: 7:00PM
Show Time: 8:00PM
Admission Type: General Admission (Standing Room Only)
Special Offers: Enjoy $10 off 2 Uber rides that begin or end at House of Blues with promo code HOBHOUSTON10. Expires 8/31/2018. Get the Uber app here: www.Uber.com/app
Parking: Valet offered via Caroline St. and Dallas St. entrances. Surface and garage parking available with skybridge access from the GreenStreet garage located on Clay between Main and Fannin. Advance parking available at www.parkwhiz.com/HOBHouston
Additional information: This is an all ages event.
Bags bigger than 12" x 6" x 12" will not be allowed! Make sure you have downloaded your tickets into your mobile wallet and/or transferred to friends via the Live Nation app.
Make it a Complete Night Out! Enjoy House of Blues & all it has to offer!
Bring the whole family & join in the Foundation Room dining room for your official pre-show fuel. Reservations are encouraged. Book your tables here! Our dining room is open Thursday-Saturday at 6PM.
Guests 21+ are invited to join us in the Foundation Room lounge before the show for the finest in food & craft cocktails. On most nights, keep the party going after the show, and experience the after-hours experience at the Foundation Room. Click here for more information & to RSVP your spot! Note: Foundation Room access is subject to change based on Private Events.
Featured Acts
Billy Raffoul’s anthemic debut single “Driver” serves as a potent calling card for the 22-year-old singer, songwriter, and musician. His signature sound is a rough-hewn, low-timbered rock and roll that nods to the likes of Jeff Buckley, Neil Young, and Joe Cocker, and is powered by Raffoul’s gravelly, soulful voice and deeply felt lyrics. “That’s one thing for me — a song needs to be about something I’ve experienced or something someone close to me is going through,” Raffoul says of his sources of inspiration. “I find myself going back to moments of time from the past, picking apart these little experiences and building them into bigger things. I want people to know that the songs are genuine, that they've been lived in.”
“Driver” is one of those lived-in songs. It was inspired by his family picking up a hitchhiker one night after Raffoul and his musician father Jody played a gig on Pelee Island in the middle of Lake Erie. “This guy was really out of it, so he ended up staying with us for a few hours,” Raffoul says. The following weekend Raffoul told his story of the hitchhiker to songwriter Simon Wilcox and songwriter-producer Nolan Lambroza during a writing session in Los Angeles. “We turned it into something a little more sentimental, in that maybe I’m not singing about someone being lost on the side of the road, but maybe someone lost in life who doesn't know where they’re going or what they’re supposed to be doing,” he explains.
Raffoul has been fairly certain of what he wanted to do with his life from a young age. He grew up in a creative family in the small farming town of Leamington, Ontario — “the tomato capital of Canada,” as he puts it. His mother is an artist, writer, and teacher and his father Jody Raffoul is a solo artist and hometown hero who has opened for everyone from Joe Cocker to Bon Jovi. Raffoul’s earliest musical influences come from his dad. “The Beatles were like Jesus in our house,” he recalls, adding that he also listened to soul singers like Otis Redding and Sam Cooke. On his tenth birthday, Billy received a ‘British Invasion’-inspired guitar with a Union Jack on its front from Jody and started teaching himself to play. By 16, had bought his first real guitar — a 1968 Gibson Les Paul Black Beauty. “It’s the same model and year as the only one Jimi Hendrix was ever photographed playing,” Raffoul says.
As he gears up to finish his debut album, Raffoul is also eager to tour and see the world. “I’m putting everything into this record," he says, "but I want to build my career on the live show. I want to be a true working musician." He knows that makes him sound like a traditionalist and he's fine with that. "It’s more of the old school way of doing things," he says. "But I think that even in this ever-changing music business there will always be a thirst for live performance and that’s what I want to do. That’s always been the goal. Connect with people, one room at a time.”